Museum of the Eccentric

Friday, July 31, 2015

The Millionaires of America


The Millionaires of America

Jul 16th, 2015 by bachmann
                           J.P. Morgan ‘either a Caesar or nothing’
Carlo de Fornaro (1872 – 1949), was an artist, humorist, writer, editor, and revolutionary. In 1902, he published a volume of caricatures entitled “Millionaires of Amer­ica“. Fornaro acknowledged his caricatures might not be well-received by some of the most powerful men in the United States, so he placed a notice at the front of the volume “All the responsibilities incurred by the printing and the publication of these cari­catures and resulting in suits for lese majeste, etc., will be borne entirely by Mr. Carlo de Fornaro.”
The New York Times review of the book (January 10, 1903)
“Perhaps it is well that some one should come out and ‘’stand for” the collection of pictures burlesquing certain well-known citizens of this town and some of whom, it is reported, have already lost their tem­per over the manner in which they have been depicted. To be caricatured, how­ever, is one of the penalties of greatness, even when that greatness merely consists in the possession of great wealth. When caricatures are true to life, as in many cases in the present instance, there is no denying that the public derive a certain satisfaction from seeing the victim writhe. Therefore, perhaps the eminent citizens whose counterfeit presentments are to be found in the book, might better conceal their chagrin and take it all good-humor­edly. Such was Pliny’s advice to the vic­tims of caricature in ancient days.
The present works are somewhat in the style of Fellegrini. Whose drawings, pub­lished svrtce 1862 in London Vanity Fair, are the most remarkable of iheir kind which have appeared since the superb gro­tesques of Honors Daumier. The volume embraces caricatures in color of A. G. Vanderbilt, Russell Sage, J. P. Morgan. Andrew Carnegie, W. C. Whitney, J. .1. Hill. George Gould. Col. J. J. Aster. O. H. P. Belmont, Charles M. Schwab. Tom L. Johnson, and Senator W. A. Clark.”
Journalist Bernard Gallant described Fornaro as:
“A very unique and interesting character. He was born in Calcutta, India, and reared in Italy and Switzerland. He is a scion of an old Italian family and is a member of the family of Pope Alexander VI. His education he received at the Royal Academy of Munich and came to this country twenty years ago. When he grew tired of dear, old New York with its glittering electric signs, he went to Mexico. That was in 1906. Instead of painting the picturesque scenes of that marvelous country, as he contemplated, he published a newspaper for more than three years, giving the Mexicans a taste of real Metropolitan journalism. That marked Fornaro’s entrance into the field of the Mexican revolution and he has been a loyal champion of the revolutionists ever since.
In appearance Fornaro looks very much like a Jesuit priest and keeps the hours of a brigand. He sleeps most of the day and wanders from cafe to cafe most of the night. With the fair sex he is most charming and gallant, but is galling bitter when he portrays them with pen or brush. But he is far from being a woman hater. Oddly enough, regardless of his cafe life, Fornaro indulges in nothing stronger than water.”
In the end, Fornaro did not experience any serious legal ramifications for his caricatures, but he eventually did so with a subsequent book focused on the corruption and brutalities of the Diaz Mexican government. His book “Diaz, Czar of Mexico; an arraignment, by Carlo de Fornaro with an open letter to Theodore Roosevelt” resulted in a prosecution and suit for criminal libel. He was convicted and sentenced to one year in the famous ‘Tombs’ prison in New York City. He took his unfortunate circumstances to record and eventually publish a book on his personal experience inside the New York penal system, as well as inserting some caustic commentary on American justice.
             Andrew Carnegie and his diminutive stature
                   John Jacob Astor ‘leisure with dignity’

Description:
Fornaro, Carlo de. Millionaires of America. New York : Published by the Medusa Pub Co., 1902.
Persistent Link:
http://nrs.harvard.edu/urn-3:FHCL:16460221
Repository:
Widener Library
Institution:
Harvard University
 Link: http://blogs.law.harvard.edu/preserving/2015/07/16/the-millionaires-of-america/
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Robert Lewis and Jennifer Hodson at 9:52 PM No comments:
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Young Yoko


.@Vulture: Yoko Ono and the Myth That Deserves to Die by @lindsayzoladz http://www.vulture.com/2015/05/yoko-ono-one-woman-show.html …
Yoko Ono, David Bailey and Lindsay Zoladz


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Haunted Island

 
abandoned hotel in Colombia.

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GIF Animations



 Vine

Are you ready for an adventure?

Vine by Hero, The Super Collie
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"Le Petite Prince" #unPOPbooks

Vine by Unpopular Now
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Hallucinations

Vine by molehill
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Room in Brooklyn, Edward Hopper 







Abandoned ‏@abandonedpics  May 17
Abandoned mansion



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 Abandoned retweeted
Animal Vines ‏@TheAnimalVines  Jul 21
Baby otter dreaming, that is all.

https://vine.co/v/bUE6dtWFDIM 

26,003 retweets41,984 favorites


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The Paris Review ‏@parisreview May 20

Karl Ove Knausgaard on the drums at the Norwegian-American Literary Festival. 




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Abandoned castle in belgium

Abandoned Ferrari in the desert
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BibliOdyssey ‏@BibliOdyssey Jul 22
From the BibliOdyssey archives: Fight Club 
http://goo.gl/0pl4wT 






From the BibliOdyssey archives: Fight Club http://goo.gl/0pl4wT


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House Flies spread germs



BibliOdyssey ‏@BibliOdyssey  Jul 25
North Carolina History of Health Digital Collection (new) 
http://goo.gl/qInjvr  v/ https://goo.gl/SPqllg 



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Youth's Need For Speed





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The Frightened Coed

Above is a June 1955 issue of True Detective, with a woman proving yet again that—on pulp covers at least—it’s always a bad idea to wander in the woods alone. But at least she has a chance to run away, unlike these women who got fully naked and leaped into the nearest pond before being surprised by intruders. 

Inside this True Detective is a story on the Ann Yarrow murder of February 1955. Little known now, at the time it was a major story, mixing those favorite pulp elements of sex, race, and brutality into a stew that had all New York City gripped during the winter of that year.



Link: http://www.pulpinternational.com/pulp/keyword/True+Detective.html?next=10



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Thursday, July 30, 2015

PULP FICTION TRUE DETECTIVE Magazine Covers











Reader Pulp
http://www.pulpinternational.com/pulp/keyword/True+Detective.html?next=10


darwinscans.blogspot.com



killercoversoftheweek.blogspot.com




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Wednesday, July 29, 2015

Natasha and the Python






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Monday, July 27, 2015

Giant bronze statue of Satan draws hundreds of visitors in Michigan


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Sunday, July 26, 2015

Ota Benga, The African Pigmy



Ota Benga at the Bronx Zoo in 1906. Only five promotional photos exist of Benga's time here, none of them in the "Monkey House"; cameras were not allowed.

The African Pigmy, "Ota Benga."
Age, 23 years. Height, 4 feet 11 inches.
Weight, 103 pounds. Brought from the
Kasai River, Congo Free State, South Cen-
tral Africa, by Dr. Samuel P. Verner.
 Exhibited each afternoon during September.

Ota Benga (circa 1883[1] – March 20, 1916) was a Congolese man, an Mbuti pygmy known for being featured in an anthropology exhibit at the Louisiana Purchase Exposition in St. Louis, Missouri in 1904, and in a controversial human zoo exhibit in 1906 at the Bronx Zoo. Benga had been purchased from African slave traders by the explorer Samuel Phillips Verner, a businessman hunting Africans for the Exposition.[2] He traveled with Verner to the United States. At the Bronx Zoo, Benga had free run of the grounds before and after he was "exhibited" in the zoo's Monkey House. Except for a brief visit with Verner to Africa after the close of the St. Louis Fair, Benga lived in the United States, mostly in Virginia, for the rest of his life.
Displays of non-Western humans as examples of "earlier stages" of human evolution were common in the early 20th century, when racial theories were frequently intertwined with concepts from evolutionary biology. African-American newspapers around the nation published editorials strongly opposing Benga's treatment. Dr. R.S. MacArthur, the spokesperson for a delegation of black churches, petitioned the New York City mayor for his release from the Bronx Zoo.
File:Ota Benga 1904.jpg
Ota Benga 1904

The mayor released Benga to the custody of Reverend James M. Gordon, who supervised the Howard Colored Orphan Asylum in Brooklyn and made him a ward. That same year Gordon arranged for Benga to be cared for in Virginia, where he paid for him to acquire American clothes and to have his teeth capped, so the young man could be more readily accepted in local society. Benga was tutored in English and began to work. When, several years later, the outbreak of World War I stopped ship passenger travel and prevented his returning to Africa, he became depressed. He committed suicide in 1916 at the age of 32.

Source: https://en.wikipedia.org/wiki/Ota_Benga


Robert Lewis and Jennifer Hodson at 7:20 PM No comments:
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The story of Sara Baartman(hot and tot Venus)


Published on Feb 8, 2014
Story of sara Baartman daughter of south Africa.
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Link: https://youtu.be/kX7Qos9myWc

I was reading about Venus Williams and the racial slurs made about her and they said she draws comparison to this other Venus, Sarah Baartman, the hot and tot Venus



Saartjie "Sarah" Baartman (before 1790 – 29 December 1815) (also spelled Bartman, Bartmann, Baartmen) was the most famous of at least two Khoikhoi women who, due to their large buttocks (steatopygia), were exhibited asfreak show attractions in 19th-century Europe under the name Hottentot Venus—"Hottentot" was the then current name for the Khoi people, now considered an offensive term,[and "Venus" in reference to the Roman goddess of love.

According to popular history, Saartjie Baartman (more commonly known as Sarah or Sara Baartman) was born in 1789 in the Gamtoos Valley of South Africa. When she was barely in her 20s, she was sold to London by an enterprising Scottish doctor named Alexander Dunlop, accompanied by a showman named Hendrik Cesars. She spent four years in Britain being exhibited for her large buttocks (steatopygia). Her treatment caught the attention of British abolitionists, who tried to rescue her, but she claimed that she had come to London on her own accord. In 1814, after Dunlop's death, she traveled to Paris. With two consecutive showmen, Henry Taylor and S. Reaux, she amused onlookers who frequented the Palais-Royal. She was subjected to examination by Georges Cuvier, a professor of comparative anatomy at the Museum of Natural History. In post-Napoleonic France, sideshows like the Hottentot Venus lost their appeal. Baartman lived on in poverty, and died in Paris of an undetermined inflammatory disease in December 1815. After her death, Cuvier dissected her body, then displayed her remains. For more than a century and a half, visitors to the Museum of Man in Paris could view her brain, skeleton and genitalia until she was buried.








1810 caricature of Baartman byWilliam Heath


Saartjie Baartman
La Belle Hottentot.jpg
La Belle Hottentot, a 19th century French print of Baartman
Born1789[1]
Near Gamtoos River, Eastern Cape, Dutch Cape Colony
DiedDecember 29, 1815 (aged 25–26)
Paris, France
Resting placeVergaderingskop, Hankey, Eastern Cape, South Africa
 
Other namesHottentot Venus
EthnicityKhoikhoi

https://en.wikipedia.org/wiki/Saartjie_Baartman


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Wednesday, July 22, 2015

Flying Gun

Published on Jul 10, 2015
Homemade multirotor with a semiautomatic handgun mounted on it.

Note: The length from the muzzle to the rear of the frame is over 26".

For any licensing requests please contact licensing@break.com
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Link: https://youtu.be/xqHrTtvFFIs


Robert Lewis and Jennifer Hodson at 10:40 PM No comments:
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Prototype Quadrotor with Machine Gun!

Published on Apr 23, 2012
CLICK TO TWEET: http://clicktotweet.com/btP1u

FPSRussia Shirts: http://fpsrussia.spreadshirt.com/-C94489

Twitter: http://twitter.com/THEFPSHOW

FaceBook: http://www.facebook.com/FPSRUSSIA
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Link: https://youtu.be/SNPJMk2fgJU


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Robert Lewis and Jennifer Hodson
Jennifer believes we live in the garden of Eden and I believe that we are destroying it. Our saving grace is within ourselves, our faith, and our mindfulness. We need to make a conscious effort to respect and preserve all life.
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